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European Media Art Festival

International Student Forum

Exhibition

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Ohne Frage keine Schuld

Jörg Kattenbeck, Germany
Videoinstallation
Two - as far they themselves are regarded - stable image signals of a clam. From these two signals an image was to be developed, yet without attempting to synchronize.

Partycipation Concerts

Thomas Diehl, Alfred Schäfer
1995, Germany
Interactive Installation
The installation Partycipation Concerts consists of four ``light instruments'' which can be played by the interruption of light rays.

Par la Pierre Xlix

Gil-Seong Kang
1994, France
Installation
Everything under the sky has its visible and its invisible part. The visible is the exterior aspect for the five senses and the perception of man. The invisible is the interior image, both the wordly and the spiritual one.

Red Delicious

Llúcia Mundet Palló
1995, Germany
Installation
In the foreground there is temptation. The old myth will be brought to our minds by the ringing of bells, and it will continue its way by every new stroke of the bell.

Videoskulptur

Martina Heinkele
1995, Germany
Videosculpture
A video sculpture consisting of two completey contradictory media: There is the sandstone, roughly hewn, the weathered surface has partly been preserved, a TV-set has been inserted.

I Love Trouble and William Bunny

Anke Fischer
1995, Germany
Videoinstallation
The story is about a meeting of Billy the Kid, Doc Holliday and Pat Garrett, three legends of the Wild West. The images of the installation focus on the cowboy's faces. Everything superfluous will be faded out: the land, the horse, the woman.

Hirschsprung I

Anna Gollwitzer
1993, Germany
Videoinstallation
Having experienced the exhibition room as a consulting room. In a limited space, an attempt to depart is being indicated. In Hirschsprung I am the deer which makes the rutting bellows. The space will be evidence for the impossibility to perform my plan according to the ``natural'' and original form.

Noch ohne Titel

Christian Dootz
1995, Germany
Installation
One starting point for developing this model was the intention to enlarge the ambiguity of images and frames, which are reduced to one meaning within the context of their montage, by at least one new meaning.

Found Footage

Jesse Klozenbücher, Germany
Videoinstallation
The images and sounds tell a fragmentary story, dealing with memory, oblivion and the relationship between two persons. The footage consists almost exclusively of images of the movie ``Solaris'' by Andrej Tarkowskij, taken from the screen and alienated.

In-Stall-Aktion

Matthias Reeck, Anna Grunemann, Germany
Interactive 2-room-installation

Expansive Plains

Michel M.L. Witter
1995, NL
Sound-Installation
Living in an anechoic space... People who are accustomed to living in the ``vastness and stillness'' of the desert become open/Receptive to other phenomena from their environment.

Kicker

Jürgen Salzmann
1995, Germany
Installation
On a grass-covered table kicker two video monitors are placed opposite towards each other at the front end. The screens show a football field on the grass level, the camera constantly follows a dribbling player who is playing with himself.

Mein elektronisches Gedächtnis

Enrico Corsano, Germany
Computerinstallation
100 years of Cinema - 33 years of Cinema Corsano. Mein elektronisches Gedächtnis is an interactive computer video which presents a hundred years of cinema from the author's personal view, also giving an insight into his 33-year life. A life like a film.

kunst werden

University-GH Siegen, Germany
Information terminal
This information terminal will be offering numerous photographs and hypertexts which try to explain what Interactive Media Art is and might be, respectively. More than 160 single documents will inform on notions, media theoretical discourse as well as on individual art objects, with part of them having been displayed at the Siegen exhibition kunst werden.

LAVIE

Robert Andreas Fischer, CH
Lexicon of Audio-Visual Information Elements
Call for contributions to the creation of a collection - open to the public - of lexical elements for strategies of audio-visual texuality.
The visitors are hereby asked to bring audio-visual material from their personal video-archives to Osnabrück. Any materia and any formats will be considered: home video, diary video, travel video, docus, interviews, staged scenes, computer animations, etc. - but no image manipulations.

Fairytales Alive

developed by SCAS, Bulgaria
CD-ROM-Presentation
The Fairy tales Alive are interactive stories made upon original fairy tale texts. The Fairy tales Alive are recorded on a CD-ROM and they can be played on a PC and Macintosh computers. Users of this product can be children of age from 3 to 18 years old. All material included in this product is original and designed by students from the Bulgarian Academy of Arts.

1995 EMAF by umi / JK