Deconstructing / reconstructing

Film as an apparatus for rewriting, inscribing, remaking, deconstructing and reconstructing. A new view of history, religion, pop culture and sausage. A ?? as an upside-down V., a mirrored film, a bomb ballet to the jazz song in an endless loop, a very specific date: 30 October 1961. Two historic figures, Leni Riefenstahl and Eva Braun, in a newly devised queer encounter: having a picnic, baking a cake, captured in the open loop of history, commented and played by Susanne Sachsse, among others: Die Neue Frau. The rediscovery of the dadaist Baroness Elsa von Freytag-Loringhoven in Lamp in the brief flicker of a forgotten biography, but mainly: frogs in a glass, lettering, the reference to the unheard of. KING JAMES VERSION GENESIS CHAPTER NINETEEN or the history of “Sodom and Gomorrah”, from the bible, the Qur’an, the Torah, recalculated and programmed: animated mischief between Tom of Finland and a silver computer game, a distorted narrator of the original from the soundtrack. 1968: Valerie Solanas shoots Andy Warhol in the Factory, and is haunted by nightmares, pop art and clowns in her cell. Plasticine figure-like, narrated by Amanda Lear. Surfaces, liquids, female bodies as almost abstract fragments in Surface Glaze. Close shots, taken apart, in a cycle of images, whose seduction is deceptive. Lauren: Sausage with hair, restuffed, at the end: a dead performer in a beautiful, abject fantasy.